Travel journal : Resurrection In Bali (Part 3)

The late Maestro Jro Gadung Arwati. The famous Wiranatha dance took her travel around the world.

The cold wind blew softly and the leaves of the trees surrounding the yard of Puri Agung Peliatan also danced with the flow. Some Japanese guests already took their seats. Some people from Japanese magazine and media also attended and busy with their camera. I walked around and familiarized my self with some angles provided for photographers and media. We can only shoot from marked spots at the two corners of front stage, so audience wouldn’t be interupted. Time flew and less empty seats left. The ambience was perfect and I could sense a feeling of euphoria in my head. What a great moment ! I was in the center of Balinese art of dance where it was born.

The first performance of Langse. August 28th, 2010.

In search for my inner self spiritually after crisis hit me in 2010, I traveled to Bali, the land of gods and spirits, and attended “Langse”, an event of classic Balinese performance art in Peliatan, on August 28-29th 2010 which was presented by Yayasan Intan Budaya Negeri. I was invited by Doddy Obenk, a photographer who resides in Bali and involved much in local cultural growth and development, especially in Peliatan. He has been covering Balinese culture for long and work together with maestros of dance in Peliatan. It’s a long story and only those who know his dedication could appreciate his passion and love towards Balinese art. You can view his photography here : http://www.obenkografie.com/ and art program here : http://www.tetamian.org/ also his Facebook in here : http://www.facebook.com/doddy.obenk

Pendet dance, Puri Agung Peliatan August 28th, 2010.

After shooting scenes in backstage a day earlier the feeling of energy was even stronger as they were approaching the opening of this event. Little did I know about shooting dance photography but Doddy taught me to pay attention to the music, just recognize the music and its allure will tell also the movement of the dancers. I tried to cope with that and only can get perhaps a little hint. Long way to go I thought.

Chandra Metu dance, August 28, 2010.

Regardless of my first time shooting art performance in Bali, I felt absolutely comfortable and could enjoy both watching and shooting at once. Leaving all the technical stuff behind all I did was cliking the shutter all along the show. The years of unfeeded passion in me had peaked and finally I drowned in blissful realm in Puri Agung Peliatan, a spiritual and an art ambience blended together. Stains of corrupted mind gradually fell off and I could felt the sense of happiness and satisfaction again. Living as a photographer with no identity for 13 years was like a robotic life. Now as I could sense the good object with good feeling the rest was just easy.

Maestro dance I Gusti Ayu Raka Rasmi performing Legong dance. August 2010.

The whole performance was just like a kind of long story unfolded and as the show went on I could caught the decisive moment along. It’s like path traveled and we have plenty of views left and right side. It was our decision whether to record the scenery of just enjoy the sight seeing. My main purpose was finding my long lost soul in photography while sharing about this journey to everybody in this world. So, shooting was part of the journey.

The other thing I absorbed was the spiritual aspect of Balinese people. They are surrounded by lots of religious symbols, rituals and any kind of people’s lives are also attached to religious value. Karma is the teaching in Hindu religion and it reflect into people’s behaviour thus scuplting the image of Balinese in the region. I never felt at peace and comfortable at once besides in Bali, the sense of safety, peaceful, comfort, and spiritual all in one place. It’s Bali way.

Oleg dance,August 28th, 2010.

Kebyar Duduk Dance performed by Maestro Ida Bagus Oka Wirjana (Gus Aji), August 29, 2010.

Ida Bagus began studying Baris dance since very young age under the mentorship of his uncle Ida Bagus Kompiang. He learned Kebyar Duduk dance from I Ketut Maria and he became most inspired by it. It is his specialization in such a way that almost every village in Bali requested his presence to dance the Kebyar as a prayer and tribute to meet their vows to Sang Hyang Widhi, the God. He danced before Soekarno and representing this country by his performance through out Europe, Asia, America, and Japan. I heard that the foundation Intan Budaya Negeri is going have a very special event in May for him. Please check the information on the program in www.tetamian.org for further details.

Kebyar Terompong Dance, performed by I Wayan Purwanto the successor to Ida Bagus Oka Wirjana, August 28, 2010

Topeng Arsawijaya Dance, August 28, 2010.

What I learned from commercial photography was we do our best applying technique, hours of experience, knowledge, style through good promotion and marketing in order to survive especially in this digital age. So the main cause is an effort to gain more jobs in order to get more income. It is completely different realm when I met Ida Bagus Oka Wirjana my self, his passion toward his calling had boosted his spirit to give himself more in Balinese culture which in turn brings him respect and acknowledge without him sweating for it. As the saying goes “give so ye shall be given”, it seems Balinese religious background have more cause for good deed and that’s what they call it karma.

After 10 days in Bali I went home completely exhausted, caught a mild flu, and needed long rest, but I also brought back wonderful experience loaded with mixed of culture, historical and spiritual value from the land of the Gods, Bali. I would never be the same person anymore. It seems my search for my lost identity had been fruitful though it doesn’t mean I will stop my odyssey. Thank you very much Bali. Om Santhi, Santhi, Santhi Om.

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