Travel journal : Resurrection In Bali (Part 2)

Maestro Jro Made Puspawati doing the rehearsal.

I have no idea at all that I would be watching this maestro of Balinese dance. Not even in my dreams. At the moment I photographed them, it’s just like instinct learner doing his lessons, just shoot it. But the more I look at these photographs it’s becoming more and more alive and they are more like a memory of my struggling between material world of photography and idealist one. It’s quite funny but now I can appreciate my works more and better, thus giving me self satisfaction and acknowledgement of what am capable of. It’s also strange when finally I kind of rediscover my self, the inner self of artistic side that I strongly suppressed these years, and becoming more hungry for satisfaction in it.

The late Maestro Jro Gadung Arwati backstage. August 28, 2010.

Maestro Ida Bagus Oka Wirjana, also known as Gus Aji.

The busy of making up

Somewhere around backstage in Peliatan, August 28, 2010.

My camera used to be Sony dslr but this time I relied on Canon 550D and only a kit lens of 18-55 EFS IS. I just want to have a more pictorial look on my images, and I also post processed them using DXO film pack3 to have film like images. You can check it here : http://www.dxo.com/us/photo/filmpack/what_is_dxo_filmpack

I usually use Photoshop to develop raw files into normal look then do the final tweak in DxO Film Pack. In my humble opinion it creates more natural looking images than other software in the market and the processing is very easy and it will not suck up your computer’s RAM.

There’s one lens I also used in this trip, it’s Revuenon 24/4 macro in M42 mount and I used an M42 to Canon EF adapter to mount it on my Canon. This old lens have a very nice black and white rendering, somewhat similar to Contax Carl Zeiss but slightly different, it’s hard to describe here. You can find it in ebay with a price around US$ 1,400 – 2,000. While the result is stunning, given it’s macro sharp and contrasty images, it’s also prone to fungus due to high humidity such as in Ubud, Bali area.

All along the Langse performance for 3 days I had access to backstage. It’s different with usual backstage as this was not exactly at the back of stage. Nevertheless it’s quite hectic and all performers and make up artist and everyone involved were really busy with their works. I did not have any particular target on back stage so either I walked and watched the people and shoot when some moment seemed to occur.

One of the main focus surely were the maestros. They were truly humble and there was not any sense of “higher than others” attitude. Every one is like families in the community. They professionally doing the preparation and ready in time they were about to start.

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